Buyers' Guide Reviewby Martin Izsak |
(A more in-depth analysis, containing "SPOILERS" and intended for those who have already seen the program, can be accessed here.) |
The return of a classic Doctor Who villain in the new shorter
story format results in a fairly solid but predictable adventure
with fewer worthy surprises and developments than it deserved.
The Doctor and Rose make themselves easily known to viewers, and quickly identify the setting and get about exploring it. Excellent. Sadly, this is now the fifth story in a row that has failed to take us beyond Earth's orbit. Although the Utah 2012 setting is preferable to the constant landings in England, (and nicely populated by actors who don't need to fake their North American accents), it's really not enough to satisfy the building craving to explore an alien landscape.
The story is fairly well crafted with respect to giving the human characters some good interaction, and lots of meaty emotional scenes. Nicholas Briggs has been busy making his name famous in Doctor Who fan circles for years; he now takes to the television version of the show to prove that he knows exactly how a Dalek voice should be performed no matter what the circumstance. Very nice! The unveiling of each new element of the script is also perfectly paced and hits the appropriate atmosphere each time like a bullseye. But the plot and substance from which this is drawn take too many liberties to remain believable.
And so it feels like we're just going through the motions with this ultimately inconsequential story arc, and that it isn't worth the amount of emotional investment that the characters are clumsily thrusting into it. It also feels as if we've missed a more exciting story during Doctor Who's 15-year absense from tv that would have set all this backstory up.
The plot hinges on the most ludicrous of the lot, and falls apart if you stop to think about it. I'll save the details of that huge spoiler for the In-depth Analysis version of this review, but suffice it to say that as far-fetched as the technical method of this superpower is, even more boggling is why the Daleks ever developed it and deployed it in the field.
One improvement that does work, which many people might not have thought of, is the improved dexterity of the sucker arm. Very nice use of computer graphics - this could easily appear to be an ability that Daleks have had all along, and we simply hadn't seen it yet. Nice!
Going up the stairs - we've had that before in 1988. We probably could have used a little less emphasis and screen time on that one, although it's still a good idea to put it in somewhere.
There is clearly an attempt to create drama and tension out of the scenes of the Dalek and his adversaries countering each other's strategies, but because magic is ruling many abilities on both sides, and it's not clear who can really do what, the tension is far less than it could be.
The BBC now have no problems doing the special effects to make the Dalek menacing. The laser beams are top notch, and still manage to tastefully throw their targets into a negative image to maintain continuity with the earliest Dalek stories.
Anyway, as 2005 stories go, "Dalek" is not bad. In fact,
it's probably essential for understanding the greater 2005 season
story arc, and manages to pull many good punches beside its misfired
ones. But it still has a significant way to go before it could be
considered a great Doctor Who story.
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| DVD NTSC Region 1 13-episode box set for the North American market: in the U.S.
in Canada
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DVD PAL Region 2 13-episode box set for the U.K.
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DVD PAL Region 2 3-episode volume
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Note: The 13-episode box sets contain commentaries, behind-the-scenes featurettes, and other extras. The 3-episode volumes only feature the plain episodes.
LYRATEK.COM |
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