Buyers' Guide Reviewby Martin Izsak |
(A more in-depth analysis, containing "SPOILERS" and intended for those who have already seen the program, can be accessed here.) |
Yet another adventure from writer Steven Moffat will have you glued
to the edge of your seat trying to figure out exactly what is going on,
as was the case with last year's
"The Empty Child" (story no. 168).
Outwardly, many things are now different, but inwardly, there are perhaps
a few too many similarities, making one wonder at times if such repetition
at half-length is worth it. But "The Girl in the Fireplace" has a few of
its own outstanding unique elements too, and deciding which of Moffat's
stories is best will not be easy.
The opening setting of 17th century France once more dashes our hopes
for a real alien planet. Is this too much to ask of the new production team
of this show that used to do alien planets all the time? Hopes rise though,
as the TARDIS materializes aboard a spacecraft in deep space. Now maybe
we'll get somewhere. So where exactly is this craft? Listen closely,
or you'll miss it. The Dagmar Cluster, 2.5 galaxies from Earth.
It looks pretty much like something seen in
"The Empty Child", wherever that was. Repeat.
The TARDIS materialization is heard but not seen this time around, so David Tennant now gets his first five stories under his belt with not a single proper materialization in any one of them. Weird. In the end, not very satisfactory.
But, on the bright side, Tennant is preferable to Christopher Eccleston, and instead of Captain Jack Harkness, we have Mickey Smith. Improvements on both fronts. Yes, Mickey is finally traveling in the TARDIS. If Eccleston were still the Doctor, Mickey would be stealing the whole show at this point, but luckily David Tennant can more than hold his own. Mickey gets a lot of great bits in this story, boosting its ratings with me no end. Good show. Here's lookin' at you, Mick.
The hidden underlying premise behind this story.... but then I can only get into such spoilers in the In-depth Analysis version of this review.
Once again, there didn't seem to be any thematic point to this bizarre intellectual pretzel of a setup beyond freaking the audience out, so I found myself feeling detached and disappointed after my first viewing. Then, that night, I had a nightmare about.... well, the content of the story. Okay, Moffat has tapped into something primal and archetypal with his premise, so I'll give him back some points on this one. I'm a converted believer now. Kudos.
Even so, it's important to remember that nightmares are but a distraction from the real emotional heart of this tale....
| Murray Gold creates some wonderful new pieces for this story. Most famous will be the haunting romantic theme for Reinette, made available on CD. There's also some great light-hearted stuff for Mickey's exploration of the ship, and some excellent underscore for the nightmare scenes. |
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As an intellectual, figure-out-the-plot-riddles type of story,
"The Empty Child" is probably the better narrative. But this counts
for little on repeat viewing, when more lasting emotional elements
come to the fore. In that sense "The Girl in the Fireplace"
takes the cake. It wonderfully elaborates on an idea only spoken of in
"School Reunion" (story no. 174),
and drives a huge emotional charge through it. A very unanticipated style
of story that adds brilliantly to the texture of Season 28. Nice.
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| DVD NTSC Region 1 14-episode boxed set for the North American market:
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DVD PAL Region 2 14-episode box set for the U.K.
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DVD PAL Region 2 plain 3-episode volume
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Note: The full season sets contain commentaries, behind-the-scenes featurettes, and other extras. The smaller volumes only feature the plain episodes.
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